Monday, November 15, 2021

#Movie #Review #TheEternals: A Flawed, Muddled Effort [Stephen Abbott's blog]

In Marvel's The Eternals, ancient alien beings who have been living on Earth in secret for thousands of years come out of the shadows to reunite against mankind's most ancient enemy, the Deviants.

In what sounds like a perfect setup for a Marvel film, it is ultimately ruined by a muddled plot, sloppy dialogue, and far too many characters to keep track of, or care for.

The film starts out as a fairly good origin story for nine eternal beings who come to Earth around 5000 BC to protect humanity from the Deviants, porcupine-like creatures that are hell-bent on destroying humanity in its infancy.

They accomplish this initial goal early on, but the characters are shown remaining on guard duty for humanity throughout history, often with the story jumping back and forth in time to the present day, then back to the 1500s, and earlier, which quickly got confusing with nine characters involved.

While much has been made of the "politically correct" nature of the film, in part because it features characters (and actors) of several different nationalities, and includes both a deaf and gay characters for the first time in Marvel history (as far as we know)  we have to remember that this film, like all films today, are not only produced, but also shown, worldwide, and will likely make more money in China and Europe than in the US.

Indeed, the film was directed by Chinese-born Chloé Zhao, the first time for her as a director in the Marvel Cinematic Universe, and it will probably be her last.

(That said, the film has been banned in certain Arab countries because of the gay character, which features a minor, and brief, gay kiss between him and his husband that the directors would not cut from the film. Political Correctness is a double-edged sword in many parts of the world.)

Richard Madden plays Ikaris, who's who is prone to fly like Superman and even shoot lasers out of his eyes like Superman. Basically, he's Superman.

Adding some real star power to the film is Salma Hayek as Ajak who is ostensibly the leader of the group, and whose Secret knowledge of the mission they are undertaking on Earth is one of the true surprises of the film

Also, Angelina Jolie plays Athena, whom ancient peoples actually believe is the goddess of the same name. Jolene's character is haunted by a demon-like presence that makes her dangerous to the other eternals. While an interesting plot point, it kind of makes her character unreliable and sidelines her. 

With someone of that caliber playing a character in your film, you don't want something like this happening to her, making her basically a bit player.

Barry Keoghan is Druig, who is a sympathetic character, in that he wishes humanity would stop fighting one another. He wants to use his massive psychic abilities to control people's minds to make that instantly happen, worldwide, but is stopped by Ajak, who insists that they not interfere with humanity's progress.

Don Lee is Gilgamesh, who is a fearsome fighter, but seems to just rely on his brute strength here rather than any superpower.

All of these characters have something good to do, but as the film progresses, it is revealed that their mission is less than altruistic towards humanity. This moral ambiguity makes them less than heroes, which doesn't bode well for any sequel.

But the major problem with the film remains the characters' development. With nine new characters to introduce, there was always going to be a problem getting to know them all in an in-depth way, so that we cared about their mission and about them, personally. When main characters die here - and they do - many viewers are more likely to say, "Oh, well" rather than express shock.

The teenage-like chatter between some of the Eternals, akin to "Does he like me or not?" is childish and tedious, even if it's an on-again-off-again romance over 500 years and not over science class in a high School romance film.

Not content with this blizzard of characters in the film itself, the standard MCU post credits scenes (yes, there are two of them!) introduce three new characters to the Universe, although one of them appeared in the film posing as a human companion of one of the Eternals, hiding their superhero identity. 

A final twist in the end of the movie, in which three of the Eternals are abducted and taken somewhere off Earth, is meant to be dramatic, but is literally post-climactic, and it leaves audience members not really caring, even though it is likely the setup for an anticipated sequel.

It's doubtful such a sequel wilsl happen. Early Rotten Tomatoes numbers were terrible (now standing at 47% critics, 80% audience. 2017's Thor: Ragnarok was 93%/87% by comparison)

Fans of the comic book upon which this film was based are said to be unhappy with how the director interpreted the characters, some of which are said to bear little resemblance to the Eternals comic book series, and took liberties with the characters' traits.

Issues have been raised by the short character in the post-credit scene, but this is most evident in the Druig character, which in the comic books was portrayed as sadistic and evil, working undercover for the Soviet KGB as a torturer. In the film, as noted above, he sought universal peace.

Verdict: See this at a cheap matinee or when it streams.

Tuesday, November 2, 2021

#Movie #Review #Dune (2021)

In Dune, the 2021 film by director Denis Villeneuve, which is closely based on the 1965 book by Frank Herbert, Paul Atreides (Timothée Chalamet) is a young man born on the planet Caladan, a lush, earth-like planet in the distant future (22,000 years in the future, 10,200 years after the Imperium was established, according to the book.)

He's the son of a Duke (Oscar Isaac) and has a destiny ahead of him as the future head of his family, the House Atreides. But he has an even greater destiny ahead of him that he can't even dream of. 

His mother (Rebecca Ferguson) however, can, and has dreamt it, as a member of the mystical quasi-religious Order, the Bene Gesserit. She begins to prepare Paul for some of the challenges he must face to determine whether he is "the One" foretold in prophesy by the Order.

His life begins to veer off towards that destiny when his family is ordered by the emperor of the Galaxy to take control of the planet Arrakis, which produces the mysterious "spice" that it's used to help spaceships fly and is incidentally a hallucinogen, created by huge sandworms that make the desert treacherous - and the entirety planet is covered by the desert.

The family, when they arrive on the planet, struggle to adapt to their new environment, which seems completely hostile to them, as it was to their previous occupiers, the Harkonnen family, who bear a grudge against the Atreides'.

We immediately take a shine to the boy and his family as they make their way through a maze of imperial intrigue and deceit, and learn of the messianic legacy Paul may have ahead of him. And even before leaving his home planet, he begins having a dreams about a mysterious girl on Arrakis, dreams that intensify once he inhales the Spice.

Every shot of this LONG, two and a half hour film is a visual masterpiece. Music by Hans Zimmer is spectacular, as well, adding a touch of wonder and mysticism to every act.

The film unwinds slowly, but it's all necessary, given the total alien nature of the plot. Because of this, it's not necessary for you to know the story before walking in the theater, but it does help if you've read the book or have seen the 1982 film that precede it, which is a lot shorter, but does not cover a lot of what's on the book.

Or, I should say, the first half of the book, because the director focused only on the first half of the book in this first installment.

This film is more complete than the 1982 film, and it's in fact the first of two, or even three, films the director hopes to film, using the author's source material (Herbert wrote several books about the Dune universe.)

Movie #2 is already green lit by the studio, and comes in October, 2023, with filming starting next year, which seems to be rushing things, given how sweeping and detailed this one is. "Epic" seems too small of a word for this film.

Even if you hate science fiction, you might like this film's story, which is Shakespearean. 

But Sci Fi, this definitely is, and the battle scenes are big, with ships, including airships that can lift heavy objects by inflating huge balloons, and the dragonfly-like Ornithopter, delightful to behold. My jaw dropped at the alien technology here. Yours will, too.

Five stars, if that matters.